Taylor has played the organ for 10 years and the piano for 15 years, finishing her bachelor’s degree in Piano Performance at Drake University in Des Moines, Iowa. She will attend Graduate school for Music next year. Taylor has played liturgical music for organ and piano at various churches in the region of St. Louis, Missouri, including the Shrine of St. Joseph, Sacred Heart Parish, and St. Joseph of Croatia. She was the organist for Drake University Symphonic Band in 2019 and she plays for several weddings throughout the year. To connect with Taylor, her website is: www.trglomb.com.

Holly is a recent graduate of the University of Edinburgh, where she read French and Classics. Only recently having expressed interest in learning the organ, she is a member of the Edinburgh Society of Organists. Her musical pursuits thus far are mostly vocal, having been a choral scholar under Dr John Kitchen, and had two terms of office as the president of the Edinburgh Studio Opera, which is the only surviving opera company based in Edinburgh.

Evelyn commenced her organ studies after taking early retirement as Nutrition and Dietetic manager at the North Herts NHS Trust. Initially she studied with Anne Page, and subsequently with Anne Marsden Thomas and Daniel Moult. Evelyn received an award from the ABRSM for passing with distinction the four highest grades of the Board’s examinations in the organ and was later successful in the diploma ABRSM examination (organ performance) in London and Singapore. Evelyn is passionate about introducing youngsters to organs studies, and has donated her 3 manual 19 stop Woodstock organ to Saint Catherine's school, Surrey, where the Jennifer Bate Organ Academy is based.

Mirjam Laetitia Haag is currently completing her masters degree in music at the Musikhochschule (HMDK) in Stuttgart, after having absolved a bachelors with distinction in Rottenburg a.N.. Her teachers include Sietze de Vries, Ben van Oosten, Tobias Horn Markus Uhl and Helmut Deutsch.
Her studies have brought her to Valparaiso (USA), Rome, Cambridge and Groningen.

Anna attended a ‘Pipes and Pizza’ workshop at Edington Priory in 2014, hosted by the Diocese of Salisbury’s ‘Pipe Up’ scheme. She was hooked straightaway, learning with Chris Totney and currently working through ABRSM grades. She has attends organ courses and takes every opportunity to hear recitals. In 2018 Anna became a RSCM Pipeline Organ Scholar, supported by St John’s Church, Devizes, where she sings in the choir and regularly plays at services and concerts. Anna keeps a blog of her music highs and lows (www.pipeskeysandchords.com) and in January 2019 published a report through it, ‘Inspiring Organists of the Future: Does More Need to be Done?’.

Christina is the Principal Organist at a large Catholic church near Houston, Texas. Her teachers included Robert Anderson, Robert Baker, Dale Peters, Daniel Roth, and Jean Langlais. She has given concerts in the USA, Europe, and the UK, and is featured on several cd's. In 1986 she founded the French and British Organ Music Seminars, events of international status. Previously she taught theory and organ at several universities. Her compositions have received outstanding reviews from individuals and publications. She now teaches privately and continues to compose. She is featured in A Directory of Composers for Organ by John Henderson, and her compositions are available at www.sacredmusicpublishing.com.

Margaret serves as Associate Director of Music and Organist at Saint Michael and All Angels Episcopal Church in Dallas, TX, and is also Visiting Instructor of Organ at Baylor University. She is founding co-manager of the RSCM-A Dallas Boys Course, as well as founding director of the Choir School at Saint John's. She serves in leadership roles with the American Guild of Organists and Association of Anglican Musicians. She holds a DMA and Performer's Certificate from the Eastman School of Music.

Originally from Lancashire, Marilyn studied the organ with the late William Morgan at Bolton Parish Church and subsequently became Organ Scholar at Girton College Cambridge, after which she embarked on a life-long teaching career. She became the first woman Organist at Christ’s Chapel, Dulwich, and teaches organ, piano, theory and coaches chamber music at James Allen’s Girls’ School.

At Christ’s Chapel she established a popular Sunday night recital series following the restoration of the 1760 George England organ by the late William Drake.

Marilyn is an RCO Accredited Teacher, and as a recitalist specialises in the music of Buxtehude and Sweelinck. She is Secretary to the London Organ Concerts Guide and Concerts Organiser for the Friends of Dulwich Picture Gallery.

Catherine is Organist at the Parish of St Maximilian Kolbe, Beeston, studying Music at the University of Leeds. She was previously Organ Scholar at Leeds Cathedral and has returned to complete a ‘Year in Industry’ as part of her degree. Her internship means she is involved in all elements of the Diocese of Leeds Music programme; playing, singing, conducting and assisting with the administration of the whole scheme. Catherine is also an administrator of HISS (Historically Informed Summer School) and FISP (Florence International Singing Programme). She enjoys conducting, playing the cello and going on walking holidays when she has time.

Shanna is Director of Music at St Botolph-without-Aldgate, London. Prior to this she was Organ Scholar at Selwyn College, Cambridge, where she was involved in several CD recordings, and has also played for the choirs of Robinson and Homerton Colleges, and St John’s Voices (the mixed choir of St John’s College, Cambridge). She has a particular interest in early music, and enjoys teaching counterpoint and keyboard skills, as well as performing Baroque music in recitals. She also enjoys accompanying, and is the regular accompanist for the East London Evensong Choir.

Part-time organist who loves exploring the possibilities of small organs and actively promotes works by women composers. Playing recitals regularly, plus working as management consultant, teacher and trainer. Occasionally conducting and accompanying choirs and soloists. Soprano.

Elizabeth Harwood, Assistant Organist, St. Mary Magdalene Newark on Trent is accomplished church musician, organist and accompanist.

Prior to moving to the UK from Canada in 2023, Elizabeth served as Organist and Choir Director at several churches in Nova Scotia including St. George’s the Round Church (Anglican), Halifax, First United, Truro and St. James Anglican Church, Kentville. She also served as University and Chapel organist at Acadia University. Prior to moving to Nova Scotia she was Organist and Choir Director at Christ's Church Cathedral in Hamilton Ontario.

Elizabeth is a Fellow of the Royal Canadian College of Organists, having received the Healey Willan award for performance excellence. She was also the recipient of the Royal Conservatory (Toronto) gold medal for the ARCT. She studied with Gerald Wheeler in Ottawa and Bernard Lagacé in Montreal. Elizabeth gained her understanding of the English Choral tradition as Assistant Organist at St. Matthew’s Church Ottawa working with Gerald Wheeler and Brian Law.

In demand as a recitalist and organ accompanist, Elizabeth has served as organ accompanist with many choirs in Nova Scotia and Ontario including; Annapolis Voices, the Halifax Camerata Singers, and the Bach Elgar Choir (Hamilton). She has accompanied Canadian choirs on UK tours to Canterbury & Ely (1992) and Gloucester & Exeter (2011). She has played continuo and as an organ soloist with Symphony Hamilton, The New Hamilton Philharmonic, the Boris Brott Summer Festival Orchestra and continuo with Symphony Nova Scotia and the Ensemble Regale-University of King’s College Chapel Choir. She has given recitals in several Canadian Provinces, and broadcast on the CBC Radio Program – Organists in Recital. She has also been adjudicator for the organ class at the Halifax Kiwanis, Truro and Annapolis Music Festivals.